The AQA Power and Conflict anthology is a set of 15 poems studied for GCSE English Literature Paper 2, exploring how poets present power, war, nature, and human relationships across different centuries. In the exam, students compare one printed poem with a second poem chosen from memory, focusing on how each writer presents a shared theme.
What poems are in the Power and Conflict anthology?
The anthology brings together poets writing from the Romantic period through to the twenty-first century, giving students a wide span of historical and cultural perspectives on power and conflict.
| Poem | Poet |
|---|---|
| Ozymandias | Percy Bysshe Shelley |
| London | William Blake |
| Extract from The Prelude | William Wordsworth |
| My Last Duchess | Robert Browning |
| The Charge of the Light Brigade | Alfred, Lord Tennyson |
| Exposure | Wilfred Owen |
| Storm on the Island | Seamus Heaney |
| Bayonet Charge | Ted Hughes |
| Remains | Simon Armitage |
| Poppies | Jane Weir |
| War Photographer | Carol Ann Duffy |
| Tissue | Imtiaz Dharker |
| The Emigrée | Carol Rumens |
| Checking Out Me History | John Agard |
| Kamikaze | Beatrice Garland |
Students study all 15 poems across the year, since the exam question can ask about a comparison built around any theme running through the collection — not just one set pairing.
What themes run through the anthology?
Most poems in the collection can be grouped under a small number of overlapping themes, and recognising these groupings is the single most useful revision strategy for the anthology.
- The power of nature — poems such as Ozymandias, Storm on the Island, and Extract from The Prelude explore how nature or time outlasts human ambition and control.
- Conflict and the experience of war — Exposure, Bayonet Charge, Remains, and Kamikaze present the physical and psychological cost of combat from a soldier's perspective.
- The impact of conflict on those left behind — Poppies, War Photographer, and Tissue focus on grief, memory, and how conflict is witnessed rather than fought.
- Political and social power — London, My Last Duchess, and Checking Out Me History examine abuse of power, corrupt authority, and the control of historical narrative.
- Individual identity and conflict — The Emigrée and Kamikaze explore internal conflict caused by displacement, exile, or shame.
Many poems fit more than one theme. Ozymandias, for example, works for both "power of nature" and "political power" comparisons, which is exactly why the exam board can pair it with several different poems depending on the question asked.
How does the GCSE exam question work?
In AQA GCSE English Literature Paper 2, Section B, students are given one full poem printed on the exam paper and must compare it with a second poem of their own choosing from the anthology, linked by a shared theme named in the question.
- Read the question carefully and identify the exact theme it asks about (for example, "the power of nature" or "the effects of conflict").
- Select your comparison poem — the strongest students prepare two or three flexible options for each major theme in advance, rather than deciding in the exam.
- Plan a comparative structure, choosing whether to write about each poem in turn with clear links between them, or move point-by-point across both poems.
- Analyse language, form, and structure in both poems, always tying technique back to meaning and the shared theme.
- Use precise comparative language throughout — "similarly," "in contrast," "whereas" — rather than describing the two poems separately with no connection.
- Conclude by weighing the comparison, stating which poem presents the theme more powerfully, or how the two poets' approaches differ overall.
The exam question is worth 30 marks and is marked using AQA's assessment objectives for poetry, which include AO1 (informed personal response with textual reference), AO2 (analysis of language, form, and structure), and AO3 (context).
How should you revise the anthology efficiently?
Trying to memorise all 15 poems word-for-word is inefficient. A stronger strategy groups poems by theme and focuses revision on quotations that serve more than one purpose.
Worked example of an efficient revision grid: for the theme "power of nature," a student might prepare three poems (Ozymandias, Storm on the Island, Extract from The Prelude), one memorable quotation from each showing nature's power over humans, and one comparison point linking any two of them. This produces a reusable comparison for several possible exam questions rather than a single fixed answer memorised for one pairing.
Practising past AQA questions under timed conditions is also essential, since the skill being tested is comparative analysis under time pressure, not simply poem recall.
Frequently asked questions
How many poems from the anthology do I need to know for the exam?
You need working knowledge of all 15 poems, since the exam question can ask about any theme in the collection and you must choose your own comparison poem. However, deep, quotation-level knowledge of around eight to ten poems, covering every major theme, is usually enough to answer confidently.
Is the printed poem on the exam paper always the same one?
No, AQA can print any poem from the anthology on the exam paper each year, and the theme named in the question changes accordingly. This is why students must be able to compare any poem with several others rather than memorising one fixed pairing.
Do I need to know the historical context of each poet?
Yes, context contributes to AO3 marks, but it should support your analysis of the poem rather than replace it. Brief, relevant context — such as Wilfred Owen writing from personal experience of the First World War — strengthens an argument far more than a long unconnected biographical paragraph.
What is the difference between comparing themes and comparing techniques?
Comparing themes means discussing what each poet says about the shared idea, such as how nature humbles human power. Comparing techniques means analysing how each poet conveys that idea through language, form, or structure. The strongest GCSE answers do both together, showing how technique creates meaning rather than listing devices separately.
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